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Archive for Exposure

DTown TV set to return in January

The popular Web TV show, DTown TV, hosted by Scott Kelby and Matt Kloskowski is set to return on January 7 after a hiatus of several weeks. The show originally covered only Nikon products, but the new version will be expanded to cover DSLRs in general, including lighting, studio, on location, post-processing and other digital photography topics.

To see a video of the announcement visit Scott Kelby’s blog, Photoshop Insider. For those of you who might have been in outer space for the past decade or so and don’t know who buy generic viagra buy levitra viagra professional buy generic viagra buy cialis online order cialis professional buy cheap viagra the co-hosts are: Scott Kelby is the president of NAPP, the National Association of Photoshop Professionals. He has written several excellent books on Adobe® Photoshop, Adobe® Photoshop Lightroom and other digital photography topics.

Matt Kloskowski is the Education and Curriculum Developer for NAPP. He has written several books on the Photoshop and Illustrator Adobe® applications, and is a trainer of international reputation.

I watched all 24 of the show’s original episodes and found them entertaining and informative.

© 2009 Russell G. Campbell
All rights reserved.

Sunny 16 Rule

Back in the day when we took photos with a film camera that did not have a built-in light meter, we needed a quick way to estimate our exposure settings and many of us used the Sunny 16 Rule. Even with today’s sophisticated cameras and their powerful built-in computers and metering systems, the old rule of thumb can act as a valuable teaching aid for learning more about the exposure value (EV) system—the very core of photography.

So what’s the Sunny 16 Rule? It’s a method for estimating correct daylight exposures without a light meter. And, even when you are able to meter the scene, because the rule is based on incident light rather than the reflected light that most camera light meters measure, the Sunny 16 Rule can also be used to estimate exposure values for difficult subjects, where, for example, very bright or very dark subjects have to be compensated for.

The rule states that on a sunny day set your aperture to f/16 and your shutter speed to the ISO—or more correctly, the reciprocal of the ISO.

Following the rule:

  • On a sunny day and with the camera set to ISO 100, set the aperture to f/16 and the shutter speed to 1/100 (on many cameras 1/125 second is the available setting nearest to 1/100 second).
  • On a sunny day with the camera set to ISO 200 and aperture at f/16, set shutter speed to 1/200 or 1/250.
  • On a sunny day with the camera set to ISO 400 and aperture at f/16, set shutter speed to 1/400 or 1/500.

Shutter speed, of course, has to be adjusted to suit the circumstances. If such is the case, alter the aperture (f-stop) to compensate, e.g., 1/250 second at f/11 gives equivalent exposure to 1/125 second at f/16.

The above works very well for most situations on sunny days. So what about cloudy or overcast days? Well, for those days we use a sliding scale as outlined in the table below.

Aperture

Lighting Conditions

Shadow Detail

f/16

Sunny

Distinct

f/11

Slight overcast

Soft around edges

f/8

Overcast

Barely visible

f/5.6

Heavily overcast

No shadows

For quick reference, here’s a list of the (full) f-stops:

f/1  f/1.4  f/2  f/2.8  f/4  f/5.6  f/8  f/11  f/16  f/22  f/32  f/45

That’s it. have fun.

© 2009 Russell G. Campbell
All rights reserved.